Saturday, 22 December 2012

Pictures of Deborah

When I fist came across definitions of autogynephilia/crossdreaming and thought 'fucking hell! this is me!' the defining feature that I most strongly connected with was that of seeing an attractive woman and wanting to be that woman.

To refine it for my particular case, I see the woman and think not so much 'I want to be like her' but 'internally I am like her, and I find this sexy'. It feels true, in some vaguely interpreted but keenly felt deep way, that I am like her. In fact this is more than just a sexy feeling; sometimes it is an uncomfortable one. I feel the woman winking at me, communicating 'you are like me, oh yes you are, whether you want to admit or not'.

I feel this strongest with pictures. With real women I see too much of the rounded real-world woman, who has lived a female experience and been shaped by it, as I have not. To a lesser extent this is the case with women on film. But with static pictures the identification goes right to the heart of my crossdreaming.

The potency of asserting such identification online is surprising. It might seem patently facile but it works. It is also wonderfully liberating and empowering. I love it that people can be visually represented by their avatar, which they chose, rather than their body in its current shape, which they did not.

For me it is a far more effective form of female identification that putting female clothes on my male body.

Where I see others enjoying this identification I feel a deep bond, like I have found another member of my secret tribe.

It takes one to know one. look at the way Jack illustrates Crossdreamers with fairly gratuitous pictures of attractive  young women - always women. Like the lovely girl in white here. And look at Jaya looking so beautiful in this promising new blog here.

Seeing such pictures used in crossdreaming I feel called - impelled - to link hands my sisters. Called from deep, deep within me. xx

6 comments:

  1. Countess Deborah made a wandering girl feel special by mentioning her in this post and thus letting her enter her magical castle! How shall the wandering girl thank the countess? May be she should kneel down, kiss the countess's hand and whisper "That was very kind of you my Lady! Thank you" !

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  2. It is always interesting when someone does a phenomenology of a fantasy, as they as always more elucidating than the usual abstract representations. From my perspective it looks like the emphasis of the bravado of the winking woman, presents the feminine relation to self as socially naughty, something "whether we admit it or not". The more internal or essential this projected feminine relation to oneself, the more it is deliciously naughty.

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  3. I think my perspective is sexier than yours, petal!

    I think the social naughtiness is a significant aspect, but I doubt it is the cause of the stimulation, with the form of the naughtiness being incidental. xxx

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  4. It is all a fascinating puzzle! I agree it is not the sole condition of stimulation, but think it is co-dependant amongst the necessary presence of self and femininity. Seemingly in the fantasy, when the anxiety is not explicit, it is implied!

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  5. It is a fascinating puzzle.

    Sex, though, is more fun than fascinating puzzles.

    I think you'd make a good dominatrix. xxx

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